Designer Sari Biogarphy
Source(google.com.pk)This protocol is a shared ISARIC WHO resource. The design of the study and data collection are synchronized with the WHO Natural History Protocol (NHP). Data collected will remain in the custody of the investigator who collects it. There will soon be opportunities to contribute data to a collective analysis for those who wish to support a unified global effort.
Many ISARIC members have contributed to this work, and we would particularly like to thank ISARIC’s Working Group 3, the nCoV subgroup (Working Group1), Jake Dunning, Ken Baillie, Gernot Rohde, and Laura Merson and her team at OUCRU Vietnam.
If you are using this protocol, building on it, or re-writing it, please attribute the source to ISARIC.
As this work is a work in progress we are happy to get feedback and comments. Please send feedback or let us know if you use the documents via the ISARIC secretariat at kajsa-stina.longuere
The word sari is the anglicised version of sadi which existed in Prakrit as sadia, and derives itself from the sanskrit word sati, meaning a strip of cloth. The use of sati has been mentioned in the Mahabharata and can probably be traced back even farther.
But nothing, however, is known about the garment or the way it was worn. But it's certain that the art was highly cultivated. There are innumerable references in ancient Indian literature to this effect. In Buddhist literature one finds mention of pleated ends of such garments which are hastisaundaka or resembling the elephant's trunk, matsyavalaka or fish-tail, talavrntaka or the palmette and satavallika or having innumerable fine folds.
The length of the sari, varies depending on the culture and conjunction of use.
Andhra has the bright Venkatagiri saris which are woven with the help of a fly-shuttle loom, thrown from side to side. Venkatagiri saris have pleasant colours with gold dots, coins, leaves, parrots, or simple geometrical patterns.
Narayanpet saris, in cotton and silk, come from a place with the same name. The cotton saris woven in dark earthy colours are particularly eye-catching. The pallav in these saris is characterised by a unique pattern of alternating red and white bands. The border is usually a flat expanse of deep maroon red or chocolate red thinly separated by white or coloured lines. These saris follow the Irkal style which has its roots in a place called Irkal in the state of Karnataka.
The Gadwal cotton, and Kothakota saris from Vanaparti have rich gold borders and heavy panels like pallavs. Siddipet and Armoor also produce cotton saris with rich designs
Designer Sari Wallpaper Photos Pictures Pics Images 2013
Designer Sari Wallpaper Photos Pictures Pics Images 2013
Designer Sari Wallpaper Photos Pictures Pics Images 2013
Designer Sari Wallpaper Photos Pictures Pics Images 2013
Designer Sari Wallpaper Photos Pictures Pics Images 2013
Designer Sari Wallpaper Photos Pictures Pics Images 2013
Designer Sari Wallpaper Photos Pictures Pics Images 2013
Designer Sari Wallpaper Photos Pictures Pics Images 2013
Designer Sari Wallpaper Photos Pictures Pics Images 2013
Designer Sari Wallpaper Photos Pictures Pics Images 2013
Designer Sari Wallpaper Photos Pictures Pics Images 2013
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